Renie Bee Buzz

Workshop Announcement

2010-03-02T17:30:00.004-06:00

Learn traditional crochet then break the rules to find your

own structure and style studying art and nature.

For further information, visit Peters Valley Crafts Center.

Original Digitals—New Works

2009-12-23T14:29:00.007-06:00

2 Mapkins

Lesson: Start Sketching Electronically

2009-12-23T13:30:00.007-06:00

MAKE 2 DIGITAL SKETCHES
A Digital Drawing. Buy an electronic graphics tablet and pen. (I have a Wacom.) Buy a graphics software program. (I have Adobe Photoshop.) Read the instructions to open a new file window (in which you will draw) and view your tools. Without reading further instructions, try out tools in your new file window and see what happens. Try your mouse and your electronic pen. Try various commands you find in your menus. Let an image develop in your file window. It can be abstract or representational. It might be a mess. That's OK. If it's ugly, that's good! Good or bad doesn't matter, but meaning is interesting. What does it mean? When did meaning come?

For example, "Animals" was one of the first electronic sketches I made by trial and error, learning a lot with no meaning in mind. But as the image developed it suggested a scary clash of animals. So I brought that out.

A Digital Collage—Your Drawing plus a Found Object. Find a flat object—e.g., a magazine page, a dish, a glove—that relates in some way to your digital drawing. Buy a scanner or a digital camera. Read the directions to scan your object or download a photograph of it into your computer and open it up in a file in your graphics program. This is your collage background. Open the file containing your digital drawing. Find your move tool and use it to move (drag) your drawing from its file window to the file window containing your background object. Now your drawing is a transparent layer on top of your background object. Edit your drawing to work compositionally with your object. What does your collage mean to you? Give it a descriptive title.

For example, I thought of my sketch "Animals" as an unfortunate stain—a besmirching. So I found a commercial doily I owned and scanned it into my computer. I opened "Animals" and dragged it onto the scanned image of my doily. Then, with my electronic pen, I erased a lot of the grey surrounding the animals and rotated them to fit in the curve of my doily. I named my collage "Splotch". My digital collage was my guide for the painted and stitched version of "Splotch".

Sketching Better Electronically

2009-12-22T20:23:00.122-06:00

DIGITAL SKETCHING
Pitching Computers. I'm often struck dumb by computers and benumbed by computer instructions. Sometimes I want to pitch my computer (and me) out my second story window. On the other hand, sketching in my computer, in a miasma of technological confusion, is so transporting and engrossing (in a love/hate kind of way) that I forget myself and lose all track of time. So I also want to pitch my computer to you as a great tool for visualizing and getting ideas.

The Computer as Enabler and Muse. As a student attending an introductory computer workshop years ago, I was sketching banatmospheric images when I accidentally clicked my mouse on what I later learned was a "distort" command, and one of my bananas morphed—right before of my eyes—into a tornado! That flash of visual transformation sparked a surfeit of silly and serious ideas in me. This serendipity, born of my computer ignorance, was so inspiring that I ran out and bought my first computer. It took a while to stop agonizing over my failure to do things right and start registering and embracing what was actually happening, thus turning "failure" into a process of discovery—learning by trial and error in a relatively nonverbal, intuitive, spontaneous, and nonjudgmental state of naivete.

While sketching electronically, you are not distracted by the challenges and limitations of real art tools and materials. In a "virtual" sketch you can do, undo, and redo your marks, develop your composition in transparent layers that can be rearranged or hidden, and save versions of your sketching in progress. Digital sketching dispels anxiety, because nothing is really lost or overworked beyond redemption. Without having to worry about ruining your sketch and wasting your materials, you are free to chase ideas and capture form and contemplate, for as long as it takes, endless permutations of your sketch on your way to satori (or death from old age).

See Renie's embroidery "Stormy Banana" developed from the digital sketch shown above.
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Embroidery—New Works

2009-10-11T15:04:00.004-05:00

2 PINS

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A Crocheted Poem

2009-10-05T17:10:00.012-05:00

The pot in the illustrations is titled "In the Teapot", crocheted and knotless netted, 2-3/4" x 5-1/4" x 4-3/4", 2009.
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Crochet—New Works

2008-12-28T15:54:00.018-06:00

See Renie's other Crochet Works.
Read her essay "Totally Looped".
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Vegimals—Beary Medley

2008-07-31T14:33:00.002-05:00

Ro & MeliMation: Drama in 2 Frames

2008-07-24T17:08:00.013-05:00

The Cast:
Woman who wonders.................Romayne
Sneaky woman..............................Melinda

Romayne, enrolled in a fiber workshop at
Arrowmont School, so enjoyed the attentions of
her teacher, Melinda Barta, that she enrolled in
another workshop with Melinda at Penland School.
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Love Poem

2008-07-19T17:33:00.003-05:00

AnnaMation or The Kiss

2008-04-24T15:39:00.003-05:00

Flying Vegimals

2008-03-30T18:01:00.003-05:00

Vegimal Welfare

2008-03-19T16:10:00.003-05:00

Lesson: Lucky Houndstooth

2008-03-13T12:36:00.011-05:00

See my 3-D houndsteeth— "Walking Houndstooth", "Houndstooth Nutcakes" (walnut and pistacchio with raspberry and lemon-butter drizzles), and "Tea on Houndstooth". See houndsteeth in decorative frames, e.g., "Blank Page, Mental Buzz", "Tea Time". Look for them in pictures— "Point of View", "Child's Bib", and hidden among a myriad of crosses, checkers, and Zs in "Kitchen Cloth". There's a teensy yet dynamic one in "Klatsch in a Box Rotating". Can you find it?

Related Articles: "History of the Swastika" and "Houndstooth".
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I'm an Animal

2008-02-20T13:14:00.018-06:00

We don't ordinarily identify ourselves as animals. The word "animal", when referring to humans, is usually not used as a descriptive term, which classifies without judgment, but rather an insult reserved for the morally bankrupt, dumb, big and ugly, impolite if not crude, or simply different. Are animals, other than humans in the grip of their judgmental concepts, any of these things?

Non-human animals in my pictures often stand up and take on a human persona and commingle with humans as a reminder that, in the neutral sense, we are all animals. Like the humans, the other animals in my pictures play roles somewhat removed from the basics of life and perhaps from their truest attributes and inclinations. In "Animal Act" you see three animals in the roles of a visionary, a pretty woman, and a juggler. Reminding myself that I'm an animal (in the neutral sense) is remembering the most basic part of my identity.

See animals as dancers in "Mixed Revue" and "Blue Birds of Happiness", —and guests and diners in "Tea Time", "Call of the Wild", "Swinging at Club Mood", and "Vichysswans!". See a chicken come of age in "Fare Well, Sky Chicken" and "Sky Chicken Sprouts Power Wings".
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A Kosher Vegimal

2008-02-13T13:53:00.003-06:00

Crochet—Totally Looped

2008-02-07T15:38:00.004-06:00

See Renie's full article "Totally Looped" in Issue No. 6,
April 2008, of Dora Ohrenstein's informative and inspiring
online magazine, Crochet Insider.
See all Renie's Crochet Works.
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Poem 2 from Up North

2008-01-28T15:07:00.000-06:00

Vegimal Swatches

2007-09-16T22:11:00.001-05:00

Poem—Mr Frog

2007-09-09T20:23:00.001-05:00

Lesson: Serendipity

2007-08-19T14:54:00.003-05:00

Vegimal Sightings

2007-08-02T22:03:00.000-05:00

Today's Vegimal

2007-07-04T15:29:00.000-05:00

Poem—The Exercise

2007-07-01T16:02:00.001-05:00

Vegimal Sampler

2007-06-17T14:36:00.000-05:00